A SUITCASE CALLED HOME

Debjani_Frangipani.JPG

FRANGIPANI

My housemaid moved in with us recently from a little village near Mumbai India and though she cannot articulate her feelings clearly I know she misses her village. I imagined her home in a suitcase that might contain "champa" (frangipani) flowers which she used to decorate her hair with, the incessant pouring rain , still, dark, humid nights when not even a leaf stirs, and the "fishy" smell of the sea.

 
Debjani_Ghaftree.jpg

GHAF TREE

My son who is 10 years old misses his old house terribly and wants to pack it inside a suitcase. A house where his friend lived next door and a "ghost" lived in a Ghaf tree down the lane. He is reminded of this house each time he pays "Ludo".

Ludo is a children’s' game consisting of four players, in which the players race their four tokens from start to finish (the finish is HOME a safe destination) according to dice rolls. For him home is a shelter, walled place. A house filled with its little secrets that he can explore and yet feel completely secure in.


 
Debjani_Cyberfly.JPG

CYBERFLY

My husband lives in cyberspace. He is always linked with his friends and family in the virtual realm. For many of us this is the home we live in, 24 hours a day, 24x7. Here we can either be ourselves, brutally honest or wear a guise and be pretend-people without ever being found out . We can communicate with people in this home without ever being at loss for words, without any fear of being judged and without a care in the world.

A thing we can perhaps never do in the real world. I have used very old, fragile mediums rice paper (stored at the bottom of my suitcase many years ago) and watercolor pencils because the home of a traveller is a very fragile, transient place.

Debjani_Sycamore.JPG

SYCAMORE

My daughter is 12 years old and is very attached to me. I know that in a few years time she might have to fly away to a distant land in pursuit of higher education. If she had to pack "home" in a suitcase she would pack me, her mother. Home for most of us, means our families. No one understands us better.

 
Debjani_Tortoise.jpg

TORTOISE

 

I am a tortoise. I carry my home on my back wherever I go. My shell/skin is the warm place I am most comfortable in.

______
ART:
DEBJANI BHARDWAJ
INDIA

ABUELA'S RECETA FOR GOOD DAUGHTERS

grandmother’s recipe for good daughters

boil water till it more or less tells you all the things you've done wrong/ add the cinnamon/ let it burn up/

let it decorate the room in its fragrance/ cover the scent of the fire before the neighbors pick up on it/ add

in the rice/ let it soak up what's left of a soul/ say it's for a good cause/ this is motherhood/ her remnants

are our nature/ stir in the whole/ the evaporated/ the coconut/ the condensed/ this is our shot at nurture/

this is birth/ the giving of a life made less of a sin/ our daughters smell like cinnamon/ we rarely stir in

raisins/ flavor is not the purpose/ as long as it is sweet and filling/ they/ warm or chilled/ fermented/ made

to sit/ diluted/ coagulated/ their bellies swell easily/ they are ready to be served to the world/ sustenance

trapped in famines eye/ heritage & culture/ struggle & machismo/ is what takes the best seat at the dinner

table/ pretty suffrage makes for an elaborate display/ gets home/ country/ through destabilization/ divorce/

poverty/ pregnancy/ guerras/ wars/ gets hunger through the night/ and the shy hours of the next morning

that creep in through the window/ the warmth on the bed sheets/ remind men there's a day’s work ahead

but something that will fill them when they come/ home

———
TEXT:
CARINA MILENA MACEIRA
KUWAIT / MEXICO

ON WRITING

The superior act of writing, the act of bending down and crawling on all of your eight thin legs, stitching the strings together to articulate all that is holy of ideas in a written form, is perhaps exactly that and not at all.

Writing perhaps is not that noble of an act. Writing perhaps is not that great of a pursuit. Perhaps it does not have to carry the burden of saving humanity or expressing your petty heart. 

Perhaps it is, simply, the opportunity to be an invisible man, to blend with the air and the earth and everything that is above, underneath and in between. 

Writing perhaps is about witnessing one insignificant moment, and embodying the insignificance. That perhaps is what so significant about writing.

Oh holy insignificant act of writing. 

______
TEXT:
SHAIKHA KHALIFA
UNITED ARAB EMIRATES



IMPOSTER SYNDROME

"i know you're lying" the Israeli border officer spits at me. 4 hours in and i'm still trapped, got one foot in Jordan and one foot in Settler Colonialism (somehow on the wrong side of both), and her venom finally starts to strike.... am i lying? do i belong in the land she’s guarding? my blood’s running cold but it’s still mixed. Shami, Falasteeni, French and Irish. i want to cry while she stares me down. maybe if i scream loud enough "I’M NOT REALLY ARAB" it'll free me from her glare. Use the imposter’s language and maybe they’ll believe you. her eyes are green, the same as my mom's and i'm reminded that this officer and i could be related somewhere back in history. she still spits at me, this time in Hebrew so i don't understand, and my heart starts to break for her. when did they tell her family that they didn't belong, just like she’s telling me now? when did her relatives give up on life and succumb to that disease she’s spreading to me? when did birthplace become displaced in her ancestors hearts? we're victims of the same power, i think quietly, and as she yells at me with one hand on a semiautomatic i'm tempted to embrace her. it's ok, i want to tell this border guard. You belonged There. your politics lied to you. and now they're killing us both. i want to hold her hand so we can heal each other’s wounds and i don't have to play Fake Arab to survive and her ancestors can live historically, happily, in their European homeland. i want this so much it makes me sick, but she wants me gone. 4 hours later and she deports me away from the place my ancestors reach when they finally come Home. 

______
TEXT:
ALIA TAQLEDDIN
UNITED STATES

GENERATION DIAL-UP

- a thank you

I’m mostly writing this because I can’t thank the world wiLD web enough for making me the person I am today.

RUN 1997.EXE

I remember when my mother came back home from work, a bit later than usual, she called our names and asked us to come to the living room and cover our eyes. We walked in excited, probably trying to peek through our fingers. My memory fails me when I try remembering what happened next but I remember being excited about having our very own Personal Computer (PC). I’d like to think that our reaction made my mother happy, she was always very thoughtful in her gift pickings, still is. There must have been some laughing and hugging, and kissing mama’s forehead. Thank yous, so many thank yous. Of course, it wasn’t the first time we saw a PC, we used computers in school but we weren’t allowed to RUN anything other than DOS commands.

WINDOWS XP

My mother taught us everything back then. She created our first emails, mine was sara25oct(at)hotmail(dot)com, I don’t remember the password, but I remember she said that it had to be something easy to remember but still sort-of professional, for when we had to fill in official forms when we were older. I don’t use that email anymore.

She taught us how to type the correct way, both index fingers on ‘f’ and ‘j’ keys, the other three on the letters next to them, thumbs on the spacebar, hands sit still on the keyboard. When it was difficult to remember the letters, she got us educational CDs to play typing games, that way, we could have fun, and learn at the same time.

My mother bought me a CD with an entire encyclopedia, when I started showing a special interest in science and how things became and existed. I vaguely remember a gigantic tree, and the branches in it were different subjects in science, technology and philosophy.  

LIMEWIRE

My mother introduced me to video games, not knowing that she was a huge contributor to the occasional gamer in me. Back then, gaming consoles were strictly prohibited because it was a boy’s hobby. She’d show me how to search for games, which ones were safe for my age, keywords and tips I could use to find what I’m looking for.

Google Search: Free DOS games
Google Search: Download free DOS skyroads
Google Search: Download Free games
Google Search: Free online games
 

My father despised computers, the Internet and technology altogether. He’d yell, “This is the cause of fassad al mojtamaa’, I don’t want it in my house”. I remember my parents always getting into arguments, and somehow for some reason, the Internet was to blame. Back then, my grades were dropping, but it wasn’t because of the Internet, if anything, the Internet helped me go through so many stages in my life.

Learning how to search for free anything was how I got to see naked people for the first time. Limewire was an early peer-to-peer sharing program, people uploaded music, games, software etc. I remember my mother teaching me how to use the program, and one of the things we downloaded ended up being a porn video. It took my mother a while to realize what was going on, and she flung herself in front of me and we gave me my first internet-searching tip: “Ok, anything with XXX, don’t ever download it. It’s a virus and viruses can ruin the computer. You won’t be able to play Captain Claw if the computer is ruined”

MSN

As sad as it may seem to anyone reading this, I created my own social life, a cyber social life; a life that didn’t abide to a physical location, or a specific time zone. During a time when I felt like I didn’t belong in my own house, I found a beautiful scattered home. I got into forums, learned a lot about d­­­­ifferent cultures, lifestyles, religions, thoughts, ways to express emotions, forms of creativity etc. I vaguely remember a public chat rooms phase, those were weird –to say the least- but quite fascinating. I got catfished at least 5 times, before the show catfish even coined the term, back then everyone who was lied to would express their emotions about being betrayed, and then moved on.

GIFs TIMELINE

I don’t see a me in this or any other universe, that isn’t heavily exposed to technology. I ended up graduating with a BA in Networking and Security, and I loved every bit of it. People had mixed reactions when I told them this, some would frown, others would say it was easy, but most people expressed their concerns about why a woman would want to do a man’s job. I loved how it constantly challenged me, forced me to think creatively, made me cry in our final lab projects, the feeling of euphoria when a program I coded from scratch worked and looked the way I planned earlier that year. Programming courses accidentally got me into Glitch Art, and appreciating the beautifully broken images.

More than academic satisfaction, being part of generation dial-up introduced me to people from all over the world. People I can unhesitantly call great friends, role models, and even soulmates. I grew up on “Don’t trust anyone on the Internet”, my mother always warned me. She still does.

I’ve met incredible human beings through these webpages, film photographers who travel the world, artists who strive, writers that made me laugh, poets that made me cry. I’ve been exposed to opinions, stories, news that frustrated me, but helped me understand where I stand on a lot of topics. The Internet helped me document my highschool and university years, the beginning and end of friendships and crushes, all the confusion and panic that came with sleepless nights. The Internet is the reason this website exists, this community of soft, loving and unconditionally supportive creatives, all here to share bits of themselves through this platform. From this platform, I got over my ridiculous shyness, I got the opportunity to teach kids and adults how to create things, I met people that challenged and motivated me to not only be a good artist, but to always be a better, kinder version of myself. The Internet helped me develop an art practice that is constantly evolving.

Through these endless lines of 1s and 0s, I’ve stayed in contact with friends who ended up abroad; there for each other during tough times, graduations, weddings, funerals, anniversaries, breakups; connected as often as life always us and checking up on each other through Wi-Fi.

For that, and to them, I’m grateful. 

______
TEXT & ART:
SARAH AHMED
UNITED ARAB EMIRATES/
YEMEN

"WORDS WITHOUT THOUGHTS NEVER TO HEAVEN GO"

I think there’s a
                   language barrier,
between Him and I.
How can
He understand
my butchered
Arabic? Mis-
communication misled
Ibrahim, to try
and sacrifice
Ismail on the rock.
Or was it Isaac?
I don’t remember
the verse, I thump
the rhythm
with my tongue, dis-
chord reverberates
to replicate
some resonance—
and play the song,
strung by cursive
threads on a page,
black and white
like infidel and believer,
but when I read out
loud, the more
I confuse:
مُسْلِمِيْنَ and مُشْرِكِيْنَ.*          

*old Arabic; مُشْرِكِيْنَ [mush-ri-kiin] heathen / مُسْلِمِيْنَ [mus-li-miin] one who submits.

———
TEXT:
FARAH YAHYA
MALAYSIA

مسار

A photo series exploring the geography I have flown over while travelling between the United Arab Emirates, Syria and Czech, my three homes for the past 21 years of my life. Photographed using Google Maps, a medium through which I can still visit ‘home’ despite any wars, conflicts or obstacles.

Search

Search

Location

Location

Departure

Departure

Route

Route

Detour

Detour

Border

Border

Water

Water

Blockage

Blockage

Passage

Passage

Traffic

Traffic

Center

Center

Arrival

Arrival

______
ART:
SANDRA ABDULHAKOVA
SYRIA

YA BIT

IMG_0419.jpeg

call me farawla
& watch me write 

 

 

 

 

like a child discovering yellow
for the first time

your laughter like pop rocks,
your body,
an anthem

our feet are dangling off the balacona
like the wet laundry above our heads

boys who aren't allowed to cry,
playing kura on their roof,

and man, shit like this you won't see in amrica

like samia's hips,
fast and out of breath and sweaty and 

i unbury dalida's voice,
with my teeth,

and now you're getting excited

 

 

 

 

 

 

 

 

shit like this you can't make up

and even i feel full
with the zabala waiting to catch us

------
TEXT: 
FARAH EL-NAHAL

ART:
HAYAT HASAN
BAHRAIN

HALF OF SOMETHING

Ramah_alhusseini_i_could_never_relate_.jpg

I take a drag off the last inch of my cigarette as I turn left on Balmoral Terrace with slow, calculated steps. The snow has just begun to thaw, and although some cobbled streets remain covered in crystal clear patches of ice, there is still plenty of that brown sleet drenching my boots, seeping in through the stitch holes. Having accidentally missed a few turns hence deviating from my daily route, I realise I'd been lost in thought for a few hundred yards. Not to worry though, a mistake easy to rectify in these uniform streets all leading to one another. I’m usually more aware of my surroundings. I really am. Although, I do need to make a confession here: It has been a strange day. My mind has hardly functioned at all, and neither have I been able to think straight. I feel utterly distraught over a question I was asked yesterday evening by a drunken woman at a late-night takeaway restaurant. Little did I know, this absurd encounter would end up shaking the ground beneath me ever-so-sinisterly.

Recognisable from a distance by its particular smell of blended vegetable oils, The Chip Inn is not only popular amongst most night-owls, but it also sells the chunkiest chips in town. Joyous matrimony of tastes and textures with only the right amount of crunch; precisely what I was looking forward to last night. As soon as I put the change from my order back in my purse, in came a woman, rather throwing herself over the doorstep. She was sporting a colour coordinated - sparkling pink to be exact - two-piece outfit paired with brown, peep toe high heels. Shortly after entering the restaurant she began showering the staff on duty with compliments; a young man with large, almond eyes, dark, prominent eyebrows and a round nose. She was apparently taken by his tanned skin; "gorgeous" was the way she described it with a heavy Northern English accent. "A bit out of line," I thought to myself while the man was blushing profusely, yet it wasn't my place to stop anyone from flirting. She was drunk, hence felt uninhibited in expressing her admiration. I foolishly didn't make much of this petulant woman. She continued on with questions about the young man’s background, dangerously on the verge of fetishising the colour of his skin. 


Staying fixated on the run-down vinyl floor, covering the restaurant from wall to wall, I began tracing its stains with my eyes. She, then, suddenly turned to me and said “What are you? You look like a half of something?” She almost sounded confrontational which left me puzzled for a moment as I was doing nothing but minding my own business the whole time. I gave her a subtle, disingenuous smile as I slowly tiptoed over the counter, half lifting my eyebrows to better see if my chips were ready to come out. I made sure to brush this question off as ramblings of a curious drunk. Yes, I did, quite uncharacteristically, ignore that woman. Not because I didn’t want to engage in midnight antics with a stranger at a bustling, city centre take away - oh, how fun would have that been? -  but because I didn’t have an answer, not an entirely satisfying one that is. An answer as real as the prickling cold outside. "Such utter nonsense", I mumbled to myself as I reached for my steaming hot chips, thanking the poor man whose forced-smile was now permanently stuck to his face. What the hell is half of something? Half of what? At that moment, it didn’t occur to me that she meant my ethnicity. 

The wind picking up in speed makes me regret leaving my gloves at home. I wish it was spring already. As I approach the neighbourhood elementary school, dozens of small kids wearing thick, fluffy coats spill onto the zebra crossing like a flock of starlings with smooth, synchronised movements. Somehow they all seem to have the same height. Some of the boys are playing tricks on a few girls whose fair hair made into thin plaits that glisten like the frosty pavement under the scanty winter sun. All holding hands in groups, they swiftly cross the road and vanish into the side streets leaving behind but a murmur in the air. As I watch the wave of small, delicate bodies pass by, I put out my cigarette on a brick wall and drop the stub inside my coat pocket. 


Terrace houses, zebra crossings, inches, yards...... such is the vocabulary which has been dominating my everyday life, yet it only dawns on me now that I am merely spewing out terms haphazardly internalised; a part of a language once was so alien to me. Since when do I use inches instead of centimetres? That woman has really messed me up, I think to myself. All I asked for was a portion of chips with vinegar. “Vinegar? On chips?” I remember my little brother crying out to me with his face all scrunched up that one time he found out we eat chips in the U.K. with vinegar - sometimes with curry sauce. “Someone call the culinary police?” He’d said, “You need to make them eat an Acili Adana.”

Who I am indeed had been a case of incessant internal scrutiny since I emigrated to this country a decade ago. I can’t pinpoint the exact moment when I stopped sneakily converting inches to centimetres, stones to kilos, miles to kilometres so as not to give away the fact that this system doesn't come naturally to me. Look, I can prove to you, just how well I now know your measurements. It’s simple. An inch is 2.54 centimetres, and a foot is 30 centimetres. There is no other way for me to comprehend this. I can hear you say “well, a foot is a foot long, that’s why it's called a foot, get it?” A sudden sense of sadness washes over me as I realise I have always, in one way or another, experienced your culture only through converting it into more familiar terms. I am a human unit conversion mediating two opposing cultures, often getting lost in your indiscernible touches of sarcasm and your baffling regional slang. 

Turning yet another corner in this meandering neighbourhood, I run my fingers through my windswept hair, trying to detangle it. Thick, dark, and unruly; I twist it into a little tail at the back of my head and tuck inside my coat, lifting my collar up in a James Dean sort of way. I catch my mind beginning to drift again, though I quickly manage to collect myself. Still agitated and disturbed by my recent realisation that I am half of something, I’m determined to figure out what this half is. I stop on Church Lane to pull up my woollen socks sliding down on top of my nude stockings. I don't ever remember an instance in which my socks stayed up all day. There is always a stubborn one out of a pair that gradually rolls to my ankles as though being pulled down by a mischievous djinn, forever causing me to walk with a broken, Alla Turca rhythm; two steps forward, one step back, that is called the Janissary stop. I crouch down giving my back to a shoulder-height wall over which hang a bunch of loose bushes which had completely shed their foliage except a few unyielding crimson berries. 

Upon lifting my head up from my socks, I feel a sudden rush, a slight dizziness. Inadvertently fixing my gaze on a series of blue household bins neatly placed on the left side of the street, I begin reading out the numbers written on them. Eighty, eighty-two, eighty-four… In a flashing instant, the wind dies down, the background noise of the kids abruptly stops and I lose all sense of time; becoming only a sharp tingle, a wave of electricity running between the frozen ground and the clouded sky. Slowly, after a brief second which felt like a lifetime, I regain the feeling of my body. With the trusting awareness of a monk who had just come out of a trance, it suddenly becomes as clear as day to me what that woman meant last night. In this bizarre, hallucinatory moment, I feel, with every fibre of my being, the crushing weight of her blundering words. I now know "you look like a half of something" can only mean “although you look a little like us, you’re not really like us, not quite one of us.” Finding myself adjacent to the same wall I leant on earlier, I readjust the waist belt of my coat and squeeze my belly underneath a tight knot to make sure that I am still here, on this piece of earth. 

What was the question again? "What are you?" Not 'who'; I must remember this detail, but 'what'! Because, of course, I do know who I am. Who I am is a survivor of a broken home riddled with religious dogmas, an oppressed runaway, a product of displacement, social integration, hard work and rigorous self-critique, a hybrid of denial and acceptance, countless mistakes, heartbreaks, apologies and radical forgiveness! "Isn’t it enough for you, lady, that I’m all these things I have built for myself over the years? What else do you want of me?" I am still strung out, trembling like a soul settling into a new body. The sun peeps its head out for a quick second, then almost mockingly, retreats behind the clouds as if it doesn't quite like what it sees. I concentrate on my steps, looking at the tip of my salt-stained leather boots to make sure I put one foot after another. "Walk natural", I mutter to myself. I should have confronted that insolent woman, alas, I'm rather slow at comebacks. “I think you're being rude to the man who’s wrapping up your chicken donner.” Is it possible, perhaps, that I don't know myself all that well, or perhaps what I am is another thing altogether to those around me? 

I smile at a young woman across the street whose slender frame obscured by a full-length, duck down jacket. Onto her left, a pre-teen boy with a milky white complexion is slowly dragging a scooter beside the pavement. On her right, steadily hopping along to catch up with the two, is a small girl tightly wrapped in a bright red scarf; her body looks as miniature as a matryoshka doll. Trying to hide my escalating hypochondria which assures me I'd just had a silent stroke right there by the wall, I make sure my smile seems as casual as possible. I'm thankful we are not made out of a transparent material; what would have this family thought, were they to read the contents of my mind at this weakest moment in my life.


"How strange is life?" I think to myself as I shift my gaze towards a pale brown French Bulldog whose funny stride I recognise from the other day. How unpredictable is the course of this seemingly routine commute back home? Everything is familiar as one would expect; this is my neighbourhood after all. Yet how uneasy I am at this moment, how unwelcome I feel in this body as I fail to control my jumbled steps. Last night, a perfect stranger in a sassy mood nonchalantly triggered a chain reaction of doubts inside my soul. Befittingly like an aftershock, this chance encounter began to chip away at my sense of identity, inch by inch. At precisely 5.20 pm on this frosted Friday evening, ten minutes into my daily walk from work, an existential wormhole crack opened, spilling out all sorts of mysteries which had been fermenting in its depths. I'm in disbelief! How could this be? In a blink of an eye, I was overthrown, defeated, no longer confident in who or what the hell I am. I clumsily cross the road at the junction next to the local metro station, then slow down to give way to a group of commuters running towards the platform. The night is about to fall. My hands inside my pockets, though still shaking with unceasing jerky movements, are cold and numb. Lingering over the street is a faint scent of toasted cumin coming from a nearby Lebanese restaurant. "You look like us, but you will never be one of us." The sentence rattles inside my brain as I push my key into the front lock of my British suburban home. 

______
TEXT:
SHEYDA A. KHAYMAZ
UNITED KINGDOM

ART:
RAMAH ALHUSSEINI
BAHRAIN