TEXT

THE LOST LETTER // ILHEM ISSAOUI

 
 

and with the ink of my lost solitude
my lugubrious temper
my furious traits 
I write thee
with the plumes of
the gloomiest dooms
I write thee
and with the colour of despair 
that had ever since tinged every curve of the bosom
I colour thee
with the fragrants of
longing 
tormenting
the "plaguest" of the plagues
the sediments of bygone years that yearn everlastingly
with all the paradoxes
the dilemmas
and
the unsilenced
undeaf
incomprehensible
mournful 
mourn
I mourn me
and I scatter thee upon the grounds of purgatory
though I know
aye, I know
that wind shall contrive against me
and sow your seeds again
upon the land of me

 

 

THE GATEKEEPER OF HELL // SHITTU FOWORA

A man walks about 
carrying a gate
chanting praise songs;
seeking to stock an open field with fire and sheep

he had seen Signs in his sleep
bingo! in the mind of his sheep
only, reality nullifies his dream

he supposes he holds its key
and his myrmidons, thoroughly afraid 
of hell must believe and behave 

he forewarns doubters anyway;
he’ll make them into scorpions
into serpents
into spooky wonkies
into reptiles and have them snacked upon 
by three-tongued cerberus, the CEO of hades 

he’s soon to see more passers, 
more doors, 
more sheep
more doves, saner people
walk past his door, unscathed by mischief 

they'll watch him kicking at the open door
frothing in the mouth, restless, insatiate, 
yet none caring if he be a seer/dreamer
or the new town clown out of sync 
with the rave of the now – the dance party of change

a frocked man walks with a gate
chanting war songs;
seeking electorates to stock in fire;
fire that’s bound to char his cloak with vex.

MOTHER TONGUE // RIMA PETRA

Mother tongue.
One day i released outrage and anger, 
spat distaste towards my homeland, 
burnt cedar trees, 
forgot the levantine sun,
felt their insults break these shoulders, I held my mothers mountains and soaked my fathers ink, carried boulders so my ancestors forgave
words can be heavier than their weapons 
I fell
“Arabic -
That thick, meaningless, language”
Look at the way these arabs talk! “
they continued in voices filled with air, 

I never knew I did 
when I thought I walking straight 
I didn’t realize I fell into voids
sometimes i spent the night staring at the moon, 
Glorified it, and ignored the stars, 
man learnt how to read, 
But he forgot who wrote the books,

The wise man listened to me, then laughed 
Replied , Don’t listen to those who demean you inferior, 

You are an Arab, 
Enter the home of an Arab, 
You will find three cups. 
May, ahwa, wa aseer, 
Water, coffee and a drink
Enter the home of an Arab and 
You will find a warm meal,

Hearts that the sun envy’s from, 
Light that the summers stretch for, 
Golden crusted, 
the terminating seal of an eclipse, 
Melodies that the birds will stop chirping for, 
Just to listen to. 
Ah friend, the guests joy is our delight.

Mother tongue, 
“Look at the ways these Arabs talk!”
Fairouz, Hafez, Um Kulthum

Did you forget that my ancestors 
Drank from the water of the Euphrates, 
Stole from the dead seas,
Bathed in the Nile,
Swam in the Tigris, 
Drown me in my history
They can spit you creation

There are those who’ll call your language ruined
Tell them I am the ruins of ba’albeck, 
That my mothers’ silence is a dagger and my fathers whisper is a command, 
And isn’t it that which is ruined we are amazed at?
Isn’t it the ruined architecture of the ancients that we gaze at?

Mother tongue
Look at the way these Arabs talk 
Gibran, Mahfouz, Qabbani
Mother tongue
Darwish, Hakim, Ghazzali

They told me Arabic isn’t the language you only read
But the language your heart indulges in
That the alphabet humbles, 
Romance

Allow me to explain
When the Arab picks up the spring flowers whose petals hangs upside down
He calls it halet el sit
The earrings of the lady
And when the Arab calls his lover
habibati, albi. Hayati, ayooni, ya rouhi
my love, my heart, my life, my eyes
you are a part of my soul

The wise man laughed
And for once, I was speechless
You are an Arab, you have a history like no other
Mother tongue, look at the ways these Arabs talk

***
cover art // archive warwicka

THE IRON BRICK WALL // YASMINE ABU HALAWA

You build a wall. An iron brick wall. You build it for years, adding brick by brick, making it stronger every day. You don’t leave any cracks; you don’t leave a hole you can peep through. It’s full proof. An iron brick wall, keeping you away from them. Keeping them away from you.

You keep going, until one day, the bricks in your hands turn to dust. The wall starts to rust, then it disappears. You can’t explain it, but somebody’s on the other side, and you can’t stop them anymore. 

You panic, you try harder and harder, replacing the iron with stone, then with wood. But nothing works. With every step they take, your wall becomes even more impossible to build. And maybe, just maybe, you don’t mind. 

Maybe you wanted them to come along. Maybe you wanted to see who could break through. So you let them. 

And slowly, sunlight comes along. Trees start to grow and the birds start to chirp. The wind blows through your hair and you start thinking that maybe, Summer could last forever. Your iron brick wall is gone, and now, you are free. 

Your feet touch the grass, your eyes adjust to the sunlight and you begin to breathe. And this person, this magical person is right there beside you. You don't understand how, or why. But the world feels whole again.

And then they sweep you off your feet. They pull the ground from underneath you, and you start to soar. You soar higher and higher into summer bliss, until nothing exists but sunshine and trees. 

You adapt to the soaring. You buy a parachute, and keep it aside, just in case.

You don’t think you need it. You don’t think you ever will.

But you do.

It takes you by surprise; you have no time to grab the parachute. All at once, the grass is gone and the sun starts to set. The wind gets colder, the birds are gone. And you know. 

You’ve fallen. And now you’re lying on the ground, surrounded by nothing but the dust of your bricks. You can’t get up. Something weighs you down. It aches. And that ache starts to creep through your veins, slowly poisoning the whole of you.

It gets harder to breathe, harder to think, harder to just, be.

So you build. From the ground up. Another brick wall. Brick by brick, you build and you build. Until somebody else comes along.

INVISIBLE WALL // FARIS ALBOARDI

Impenetrable
These invisible walls in which I lay
In dismay
Red spots covering the walls that only I can see
Covering the outside view where all of them be

In my prison, I stare at my freedom inches away
Leaving me in dismay
Unseen, unheard, a ghost
An empty shell with memories

I used to knock and scream so others can hear as the tears obeyed gravity
But no one would come close, after all, they can't see
I am exhausted, my voice has grown tired and my throat needs humidity
The tears are not enough to quench my thirst
Invisible walls, hidden within is me and no one but me
Solidarity

Lately, a voice calls out to me, keep fighting she says
Keep going, she begs
Her voice seems tired, more tired than me
Her tears as dry as sand, crying for me?
Never thought someone would cry for me

She was the same....is the same
She knows of the wall, knows of my pain
Right now, she is all there is
My purpose is clear, for that little girl I will try everyday, fight another day
In dismay

FROM BEYOND AND BELOW // MARIAM VAKANI

Pay attention. 

To the girl with wild hair and bright eyes that seeks magic in a world without glitter, there are epiphanies behind her eyelids and wisps of dreamy whirlwinds in her heart. She is a storyteller who spins magic out of seastorms, she is a fleeting steed with a need to be one with the wind, tearing across emerald green grasslands into lands she knows are there even if no one can see them. She believes in redemption, in the forgiveness of the One Lord of His Mercy and His Kindness and that is what keeps a bounce in her step; that keeps stars in her eyes and makes people wonder. 

Wonder.

It is her natural wonder that brought her to seek rectification, her wonder that makes her certain. Her “ever-since-she-could-lisp” wonder that made her set out to find fairies in her backyard when she was five that helped her find herself years later, when the telephone booth of every communication she had considered “real” fell down from the Storm. The parts of her that had craved goodness had always been there, hidden by the parts of her that were open and wild and reckless, the good parts were always just beyond the river bend, beyond the shore she was too tentative to step on. 

Until the storm. 

The storm that came out of the same waded she had waded in, swam in, kissed dolphins in, that she thought welcomed her and held her home like some long lost daughter of the sea that had finally come home, all those years she had hidden under the deep blue from the face-covering aunts and the beard-faced uncles that looked at her like they needed her to grow wings when she only had gills. They say fishermen pray because you can never be sure of the water, but she hadn’t prayed in ages, floated on waves and bumped along whales like a mermaid in Atlantis, complacent and unnerved. So when the tsunami, or was it a hurricane, she could never quite remember, came and took her unknowing into the vortex of Fear and Abandonments she was left gasping for air and wondering where she had messed up. 

She was spilt onto shore like a fish that tasted bad, left alone, aching, wandering and wondering, barefoot, wet and more scared that she had been in her whole life. Is this what alone felt like? 

Prayer mat.

It was it that found her, rather than her finding it, that tapped her back like Aladdin’s magic carpet, lay itself at her feet and told her to give humility a go. She sobbed, ransacking tears beating in her ribs, she did not eat, she did not drink, she did not sleep, she did not dare breathe a toe out of line, and she read. She read the Words she had taken for granted so long, let gather dust on her shelf and ignored for nights on end, seeking answers in Rumi and Iqbal, believing them to have the romantic doctrines that would lead her to eternal bliss. 

“How bad is that for which they sell themselves! That they should disbelieve in that which Allah has revealed, grudging that Allah should reveal of His Grace to whom he Wills of His Slaves, and they bring upon themselves wrath over wrath!” (Surah Baqarah, Ayah 90)

She spent her days, aching for the late nights she could spend in prayers unseen, and stayed away from people, this was a pain she could not share, and this was an ache she could not vocalize. She spent her nights, reading between the lines and finding meaning in the words that had previously never struck her as relatable, begging forgiveness for her every misgiving, every thoughtless action, every sin. She prayed for the Light, and it came down on her, shimmering slivers of comfort that dawned upon her, reminding her of the finite fickleness of people and the infinite glory of the only Him she would ever need, the One Who forgave when people only said they did, Who knew when others only pretended they did, and understood when others only imagined they did. 

“…Allah knows that you used to deceive yourselves, so He turned to you, and accepted your repentance…”(Surah Baqarah, Ayah 187)

A month later, she stood in the dawn with wide eyes and a heart firm in belief that only Allah knew what she was hiding, she wore her smile with the pride of a Muslimah Mona Lisa, knowing the secret of eternal bliss were the reminders that pumped into her heart with every beat. 

Reminders. 

Reminders that her every heartbeat was a Mercy, a Forgiveness, and Redemption, a chance to begin again, she was constantly remembering to be humble and humiliated, to allow herself the satisfaction of being taken care of by a Divine Plan that would look out for her best as long as she did nothing less than her very best, that would take care of her if she took the initiative to take care of herself. 

And so she learnt to sail, an oar in each hand, planning and routing her way through tempests and wild seas, recognizing her Only Savior to be the Only One who could care for her if she was lost, and that she never would be as long as she remembered where she was aiming to go. She still aimed for the green pastures of a land she could not see, but this time she knew that she was not the only one dreaming of going there, the Land was real and it was for those who deserved it, “…the Muslim men and Muslim women, the believing men and believing women, the obedient men and obedient women, the truthful men and truthful women, the patient men and patient women, the humble men and humble women, the charitable men and charitable women, the fasting men and fasting women, the men who guard their private parts and the women who do so, and the men who remember Allah often and the women who do so - for them Allah has prepared forgiveness and a great reward.” (Surah Al Ahzab, ayah 35)

So pay attention to the girl with wild hair and bright eyes that seeks magic in a world without glitter. 

You don’t know how far she’s come to be here.

أزرق // KHALED AL-QAHTANI

 
 
 
أستطيع أن أتحدث عن الأزرق، عن وصفه لكونه أكثر من مجرد لون أراه يوميا؛ لون يحيط بي من كل الجهات، يكسو أشيائي المفضلة.

الأزرق يكسو سبع سماوات تخفي ما هو عظيم. الأزرق هو لون بحر ألقي أسراري دائما في ثناياه، ولا أعلم من أين سيبدأ أو ينتهي. الأزرق ظاهر من كل جزء من جسدي؛ لون كل عرق يسري فيه.الأزرق لون غلاف كتابي المفضل؛ الذي لن يتغير.

قالوا سابقا بأن الأزرق هو لون لا يصلح إلا للأولاد، ولكن لا، من حق كل شخص أن يستمتع بكل شيءٍ أزرق، أن يستمد منه الدفء، أن يتذكره عندما يحزن. الأزرق ليس مجرد لون كان نتيجة دمج بضعة ألوان؛ فهو يعني الكثير. الكثير.

ولكن هل هذا كافٍ لوصفه؟ بالطبع لا. فأنا أعجز عن شرح ما أحب.

بالمناسبة، أنا أكتب الآن بداخل شيء أزرق، بقلم أزرق.